Reflections on Photographing Tragedy

My work, photojournalism, Published work, Still photography, Thoughts

Last Friday morning I found myself frantically running out of the house to get to Marysville-Pilchuck High School. I arrived to find a chaotic, scary, and tragic scene. Another school shooting had happened in the U.S., and it was the second in Washington state this year. It was odd, in a way, as I found myself taking pictures while high school students broke down in tears. I’ve taken pictures of many similar scenes before, but something felt more strange on that day.

Tragedy had recently struck in my personal life. I had lost a cousin only days earlier, and he was much too young to go. I wondered, “What would my own family members think if they were the ones here at Marysville-Pilchuck High School being photographed? What if it were me?” It didn’t feel wrong to be present that day near the high school, when busloads of evacuated kids were reunited with their loved ones, but it was a strange, sad, and chaotic experience.

Many things about working as a photojournalist in Washington in 2014 have been tragic. A massive mudslide in March between Oso and Darrington killed 43. A KOMO News helicopter crashed near the Space Needle, killing two. A shooter opened fire at Seattle Pacific University in June, killing one and wounding two more. The Carlton Complex Fire, the largest in state history, burned over 250,000 acres this summer, consumed scores of homes, and caused one heart attack death. I was on scene during or shortly after all of these events, subjecting myself to trauma but with acute awareness that yes, I choose to be here. The question is: Why? And how can I make sense of so much tragedy?

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(Above: Aftermath of the Carlton Complex Fire. Photo by David Ryder)

It’s normal to feel angry, sad, or fearful. There may be no answers to our questions, but I talk with friends, family, and colleagues. Some turn to religion, which has played a massive role in Oso, Marysville, and at SPU. I also approach my work with an academic lens to find meaning and to heal.

Much has been written in the academic realm about journalism and tragedy, but I think Susan Sontag’s words continue to resonate decades after she wrote them. This is a poignant quote from her book, Regarding the Pain of Others, that helped me this week: “There is nothing wrong with standing back and thinking. To paraphrase several sages: ‘Nobody can think and hit someone at the same time.'”

(Robin Youngblood on Surviving the Oso, Washington Mudslide. By David Ryder for The Weather Channel.)

She wrote this in a portion of the book on the act of looking and why we value the sense of sight so much. She says “standing back and thinking,” but that is tied closely to standing back and looking. I think that the pictures produced by photojournalists help us to stand back and to think during times of crisis. The more we can find ways to stand back and think, the more peaceful (and at peace) we can be.

This Susan Sontag quote has helped me during what has been a difficult week, a difficult October, and a quite challenging 2014. Hopefully you might find it useful, too.

 

 

 

 

 

 

 

Polaroid Cube Review

Gear, Multimedia, Still photography, Video

The Polaroid Cube is an amazingly affordable little video camera that is going to capture a lot of potential GoPro consumers. It is essentially a stripped down GoPro with the basic features you need: 1080 HD video capture and 6MP still photos. You can also put it in an underwater case or use the built-in magnet to attach the Polaroid Cube to metal objects. Other accessories are available, too.

At $99, the camera makes a lot of sense when compared to GoPro models ranging in price from $130-500. Coincidentally, GoPro has just released a new comparable camera, the entry-level HERO, that hits that lower-end $130 price point … Have a look at this Polaroid Cube review and decide for yourself what fits you.

Polaroid Cube Review: The Basics

 

The Polaroid Cube is a little cube with a lens, and not much else. This is great, in my opinion, because it keeps filmmaking fun, easy, and accessible. That’s the point of a camera in this market; if you want something more professional for, say, an interview, you probably already own a DSLR or something better.

Here’s what you get: A tiny, 1.4″ cube of a camera that weights 0.1 pounds. It’s got 32GB of internal memory and a slot for a microSD card. It records sound, but that might not be as important to you as the video quality. The video looks a little better than a GoPro does, from what I’ve seen, but the still photos aren’t going to be as good.

The pros: It’s tiny, light, and easy.

The cons: The Polaroid Cube only comes with a magnet mount, so you’re going to have to bust out the gaffer tape or buy accessories to mount this thing on a tripod or anything non-metallic.

 

Polaroid Cube vs GoPro HERO

(Above: GoPro’s entry-level HERO camera)

So, what do you want to buy? You’re getting essentially the same thing with both cameras. When it’s Polaroid Cube vs GoPro HERO, I recommend the Polaroid Cube. They are both basic, useful HD video cameras. If you want something that can shoot in 4K or has remote capabilities via wifi and mobile apps, then go for a higher-end GoPro, but if you’re staying in the entry-level range, stick with the Polaroid Cube. Review them for yourself though, and let me know what you think.

Thanks for reading.

 

 

Domke Metro Messenger Camera Bag Review

Gear, Tech stuff, Thoughts

Photojournalist Jim Domke designed the first Domke camera bag in 1975 while he was on staff at The Philadelphia Inquirer. The bags haven’t changed much over the years (for good reason) except for the new Next Generation line that just launched. I had a chance to try out the Domke Metro Messenger and I’ll tell you a little bit about it in case you’re considering this or similar bags.

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The first thing you’ll notice is that this is a really sexy bag. Credit to Domke for creating this military green color and using the RuggedWear material. The RuggedWear is a waxed and oiled cotton material that looks a little like leather but seems to be more durable and weatherproof. It’s not waterproof, but I’d be comfortable spending a day with this bag while shooting here in the Seattle rain.

The metal clasps on the bag look great and feel like they will last forever. I’m a bit disappointed about the plastic clasps that attach to the shoulder strap and I’m not sure why they chose to go that route. Perhaps the plastic was a lot lighter than metal.

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The interior is a perfect size for me, as it fits two DSLR camera bodies with space for lenses, a flash and plenty more (read: snacks). It comes with moveable dividers and customizable pouches, which is pretty standard nowadays, but still awesome. My 15″ Macbook Pro fits perfectly in the “tablet” sleeve, which I think would even fit a 17″ laptop without issue.

The bag weighs in at 5.25 pounds, which isn’t light. I absolutely love the 2.2 pound Tenba Messenger bag, which was given to me at the Eddie Adams Workshop in 2008 (read: humblebrag) and is still my workhorse. The two bags are very similar in design, except … the Domke bag is way cooler. It’s going to weigh more but it has a much more classic, and classy, look. And don’t get me wrong: It is still extremely practical and built for working professionals.

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All in all, I do really love this bag. My guess is that Domke wasn’t worried about the competing Tenba, Think Tank, or LowePro messenger bags, because Domke sells a ton of bags and has nothing to worry about. What I think the designers wanted to do was compete with the Filson line of bags co-designed by Magnum photographersDavid Alan Harvey and Steve McCurry. Those guys are awesome, and Filson is awesome, and they are making pretty cool bags with a similar look. But, if I am going to shlep my gear around the city all day on assignment, I would probably lean toward a Domke bag.

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Hopefully this review was helpful, and just let me know if you have any other questions. Thanks for reading.

Bag reviewed: Domke Metro Messenger in RuggedWear Military (also available in RuggedWear Black and Cordura Black)
MSRP: $499.99
More info on the Domke Next Generation bag line: http://tiffen.com/products.html?tablename=domkenextgen

Photos: Indigenous Peoples’ Day in Seattle | Recent Work for Getty Images

Diversity, My work, photojournalism, Published work, Seattle, Still photography

Columbus Day is no longer Columbus Day in Seattle. Happy Indigenous Peoples’ Day. There was great celebration in Seattle after Mayor Ed Murray signed a resolution enacting the name change.

 

A man points to the sky during a celebration marking Indigenous Peoples’ Day at the Daybreak Star Cultural Center on October 13, 2014 in Seattle, Washington. Earlier that afternoon, Seattle Mayor Ed Murray signed a resolution designating the second Monday in October to be Indigenous Peoples’ Day.

 

Reneé Roman Nose addresses the crowd.

 

Nikk “Red Weezil” Dakota (R), from the Turtle Mountain Band of Chippewa, celebrates with others from various tribes.

 

There were some great performances.

 

A man sings.

 

People cheer while listening to a speaker.

 

Tobacco bounces on a drum.

 

Rapper Nataanii Means (R) performs while Nikk “Red Weezil” Dakota (L) does an impromptu dance.

 

Men celebrate in front of Haida artwork.

 

Daybreak Star was packed.

 

People sing and dance.

 

More song and dance.

 

Celebrations lasted more than five hours. This was a big deal and an opportunity for a diverse gathering of American Indians from across the country.

 

Reneé Roman Nose receives a hug after leading an emotional closing prayer.

Kids play football in near a mural.

 

Austin Whiteraven Hehman stands near a grill covered with fresh coho salmon.